TN: Minor Minervois

Château d’Agel 2005 Minervois Blanc “Les Bonnes” (Languedoc) – Obvious, water-drenched grapefruit and river stones with a hollow, almost formless futility about it. (9/06)

Grape(s): 95% maccabeu, 5% muscat sec à petits grains. Alcohol: 13%. Closure: cork. Importer: Ideal. Web: http://www.chateaudagel.com/.

TN: Julien calendar

Château Villerambert Julien 2001 Minervois (Languedoc) – Crushed black raspberries with a smooth, vaguely leathery texture and a firm, round complexion. This seems a little smoothed out and smoothed over; a very good wine, but perhaps not particularly bespeaking Minervois. (9/06)

Grape(s): 70% syrah, 30% grenache. Alcohol: 13.5%. Closure: cork. Importer: Ideal. Web: http://www.villerambert-julien.com/.

TN: Catching up

Apologies for the long delay between updates. Life called, and it wasn't bearing a case of La Tâche. Why does that never happen, anyway?

Ollivier “La Pépière” 2004 Muscadet Sèvre & Maine “Sur Lie” Moulin de la Gustaie (Loire) – Fresh and lively sea-breeze and apple, with complexing saltwater sand notes and dried white flowers. Somewhat mossy, yet as vivid as you’d want. A really interesting wine. (9/06)

Grape(s): melon de bourgogne. Alcohol: 12%. Closure: cork. Importer: Louis/Dressner/LDM. Web: http://www.filliatreau.fr/.

Unckrich 2005 Kallstadter Steinacker Grauer Burgunder Spätlese Trocken 013 06 (Pfalz) – Simple, slightly acrid pear squeezings (heavy on the skins) and faded grapefruit/lime soda, with nice acidity and a chalky undertone. It seems interesting at first, but after a while the realization sets in: it’s a little boring if taken in quantity. But “boring” doesn’t mean “bad,” and in fact this wine is tasty enough. (9/06)

Grape(s): grauer burgunder (a/k/a pinot gris). Alcohol: 13%. Closure: cork. Importer: Boston Wine. Web: http://www.filliatreau.fr/.

Boulard Champagne Mailly “Grand Cru” Brut (Champagne) – This is an older release, perhaps 1999/2000 or so. Deep, almost animalistic red fruit and black chanterelle aromas with a spicy, bready, brown-toned aura of brooding antagonism. It’s as forcefully flavorful as a fine red Burgundy, stronger-willed than most Champagnes, and seems fully mature. Striking wine. (9/06)

French bottling. Grape(s): 90% pinot noir, 10% chardonnay. Alcohol: 12%. Closure: cork. Web: http://www.champagne-boulard.fr/.

Gresser 2001 Riesling Duttenberg (Alsace) – Minerals through gauze, showing too much restraint and a thick, somewhat clumsy texture at first. This all resolves after an hour or so of air, and the wine’s minerality sharpens, turning to fine particulate glass in an overcast mood. All this indicates is that aging is most likely required. (9/06)

Grape(s): riesling. Alcohol: 12.5%. Closure: cork. Importer: Ideal. Web: http://www.gresser.fr/.

Karthäuserhof 1992 Eitelsbacher Karthäuserhofberg Riesling Spätlese (auction) 9 93 (Mosel-Saar-Ruwer) – Warring between its youthful crispness and its mature creaminess, this is a gorgeous soda of acid-washed quartz and bubbly cocktail lime. Perhaps even a brief shot of gin? Terrific riesling just on the other side of its midlife crisis.(9/06)

Grape(s): riesling. Alcohol: 7.5%. Closure: cork. Importer: Old Vine. Web: http://www.karthaeuserhof.com/.

R&V Dauvissat 1995 Chablis La Forest “1er Cru” (Chablis) – Blended herbal tea leaves with blackened crystal minerality and old stone fruit dusted with a cabinet full of faded spices. There’s old wood here too – not oak, but the antique smell of a great-grandfather’s desk – and a gorgeous, almost milky texture. Stunning. (9/06)

Grape(s): chardonnay. Alcohol: 13%. Closure: cork. Importer: Haas/Vineyard Brands. Web: http://www.filliatreau.fr/.

Chapoutier 1989 Hermitage (Ermitage) “Le Pavillon” (Rhône) – Medium-well leather and slow-cooked meat in a silky, sensuous, almost creamy wine full of soft, mouthfilling meatfruit and Provençal herbs. There’s so little structure than the creaminess turns somewhat flouncy on the palate, and one longs for a little muscularity, or at least assertiveness. Perhaps more importantly, there’s nothing about this that suggests any of the masculinity of great Hermitage. It’s a very good wine, but I’m not sure it’s a good representative of its appellation. (9/06)

Ermitage is an alternative form of Hermitage. Biodynamic. Grape(s): syrah. Alcohol: 13.5%. Closure: cork. Importer: Paterno. Web: http://www.chapoutier.com/.

Chapoutier 1994 Châteauneuf-du-Pape “La Bernardine” (Rhône) – Corked. (9/06)

Biodynamic. Grape(s): grenache & syrah. Alcohol: 13.8%. Closure: cork. Importer: Paterno. Web: http://www.chapoutier.com/.

TN: Ruché & roll

casina ‘tavijn 2004 Ruché di Castagnole Monferrato (Piedmont) – Crushed fruit with its blossoms intact and a dusty morel understructure. More restrained than previous bottles (those that weren’t corked, anyway), and thus not as interesting, but still a fun drink. (9/06)

Alcohol: 14%. Closure: cork. Importer: Louis/Dressner/LDM. Web: http://www.cascinatavijn.it/.

TN: White paint (Oregon, pt. 11 & the end)

(The original version, with bigger photos, is here.)

15 July 2006 – Willamette Valley, Oregon

Oregon Sauvignon Blanc Cartel – While tasting at Bella Vida, we’re handed a card announcing this most unlikely event: a sauvignon blanc tasting at Patricia Green Cellars (normally closed to the public). Sauvignon blanc from Oregon? This we have to taste for ourselves.

The drive, which crosses the hills on a small country road winding through trees and vineyards, is a beautiful one, but we take it a bit faster than caution might indicate, as we’re short on time. In Green’s busy winemaking shed, three wineries are represented: Andrew Rich, J. Christopher, and Patricia Green Cellars, and not everything on offer is made from sauvignon blanc. We grab glasses, push through the dwindling late-afternoon crowd, and dive in.

Andrew Rich 2005 Sauvignon Blanc Croft (Willamette Valley) – Grassy, with big lime, green apple and grapefruit bursting forth on the nose and palate. It become riper and more focused on the finish, with gooseberry, lime, lemon and lemon curd dominating, yet the wine is obviously a bit of a fruit salad. And there’s an intrusive Styrofoam note throughout, the memory of which the delicious finish can’t quite obliterate. Admirable but worrisome.

Andrew Rich 2005 Gewurztraminer “Les Vigneaux” (69.5% Washington, 30.5% Oregon) – A “freezer wine” that apes true ice wine as made in Germany and Canada. There’s much varietal truth here, with lychees and peaches in play, and though the wine is a little on the silly side, it’s got a great balance between acid, sugar and fruit. Fun.

Patricia Green 2005 Sauvignon Blanc (Oregon) – Citrus rind, Bosc pear, green apple and fetid armpit notes – not all that unusual for sauvignon blanc, though I don’t know that it’s ever actually welcome – with an exceedingly dry, flat finish. Not very interesting.

Patricia Green 2005 Chardonnay “Four Winds” (Yamhill County) – Restrained with terrific acidity, showing melon, grass and lemon over a firm bedrock of limestone. The finish, though seemingly dominated by malic acid, is incredibly persistent. A terrific wine that almost mimics unoaked Chablis (not in taste, but in overall structure)…and it’s hard to believe that it’s from the U.S. I don’t know that it will age, but it’s awfully nice right now.

J. Christopher 2005 Sauvignon Blanc Maresh (Dundee Hills) – Dominated by majestic quartz-like minerality, with grass, dried lemon, and apple skin. Acid and a tannic dryness compete with fine-grained minerals on the finish. Just terrific, and probably the best domestic sauvignon blanc I’ve ever tasted.

J. Christopher 2005 Sauvignon Blanc Croft (Oregon) – It’s interesting to compare this with the Andrew Rich wine from the same vineyard…though I note they use different appellations. A blending issue, perhaps? This is harder-edged than both the Maresh and the Rich version of the Croft, with green apple about all that’s discernable amidst a biting wave of acidity. It probably needs some time to settle down and develop aromatics, but it is a much more uncompromising interpretation that either of its cohorts.

Ponzi Wine Bar – Part of a larger complex of restaurant, wine bar, and (as of our visit) empty space awaiting a client, this is a very pleasant spot that desperately needs a better exterior view. Nonetheless, it does well, presenting both Ponzi and other Oregon wines by the glass and bottle. The staff, almost inevitably, is almost exclusively comprised of attractive young people…though unlike so many other similar venues, they appear to know their stuff.

Ponzi 2005 Arneis (Willamette Valley) – Floral, showing honeysuckle, ripe apricot and mango with a spicy texture. Yet despite all these yummy descriptors, the wine comes of as simple. Pleasant, to be sure, but simplistically so.

Ponzi 2004 Pinot Noir (Willamette Valley) – Very closed at first, with burnt cherries and a bit of jam underneath a heavy, palate-deadening weight. With air, a Port-like character emerges, with jam a significant player as well. A decidedly fruit-dominated, somewhat behemoth wine that’s not to my taste, but that’s executed pretty well for those that appreciate this style. And I suppose it will age...though my previous experiences with old Ponzi pinot suggest that “last” is a better term.

The Painted Lady – Like Red Hills and the Joel Palmer House before it, this is a converted residence. And as with the Joel Palmer House, we barely see the interior, preferring an outdoor table on the restaurant’s tiny terrace to one of the over-conditioned rooms. (A word of advice: there are serious issues with glare and heat from the setting evening sun on the few outdoor tables, so if you eat early, be prepared to play a positioning game until after sunset...or sit inside. After the sun goes below the rooftop horizon, however, the outdoor tables are well worth their previous inconvenience.)

With a passionate, knowledgeable owner and (mostly) excellent service, plus a true purity to the cuisine, this ends up being the most complete dining experience of our stay. While it’s not as memorable at our fungal fiesta at the Joel Palmer House, it does everything just a shade better.

Theresa starts with fried razor clams, their panko-encrusted texture and form a surprising and worthy variation on an old standard, while I nibble on flawless sweetbreads in a shallow pool of chopped corn and porcini cream, the earthier aspects of each combining for a glorious whole. Proximity to source improves an impeccably roasted filet of wild King salmon, while halibut over corn succotash and fried green tomatoes is no less perfectly presented. The most outstanding dish, however, is a simply-prepared 10 oz. cut of Strawberry Hill beef that brings out every beautiful essence of rare steak, served with pillowy potato gnocchi and a few asparagus spears drizzled with olive oil. It sounds unexciting to the jaded diner, but each bite proves otherwise.

Willakenzie 1998 Pinot Noir Aliette (Willamette Valley) – Shy at first, though it builds and improves throughout the evening, showing gentle baked cherries and leaves over a flowing stream of gravel and crushed granite. Soft-textured, this pinot embraces the tongue, getting longer and longer with each sip. A lovely wine, though I don’t know if I’d hold it much longer.

The only lapse in the restaurant’s perfection comes at the end of the meal, when we’re offered a “small plate of local cheeses” and, after much delay but no explanation, presented with a single, razor-thin wedge of a cheese…from Washington. Well, OK, I guess it could easily be “local,” but somehow this seems to subvert the premise. Or at least the plural.

Toro Albalá “Don PX” 1971 Pedro Ximénez “Gran Reserva” (Montilla-Moriles) – Prune motor oil that’s still amazingly primary (though I’m led to believe that this isn’t exactly 100% 1971 wine, but rather more of a solera), yet with beauty and elegance as the wine lingers…and lingers, and lingers, and lingers. Old PX is the longest-finishing wine I’ve ever encountered, which I guess means that one should studiously avoid bad examples. Thankfully, this isn’t one.

And thus is our brief Oregon visit brought to a satisfying close. The drive to the airport, through otherwise depressing strip malls and chain shopping complexes on the southern outskirts of Portland, is overwhelmed by the beauty of a dark purple sky, in which the snowy peak of Mt. Hood and the smoking crater of Mount St. Helens gleam as pinnacles of light and dark; metaphoric representations of good and evil made manifest. (Or perhaps that’s just the wine talking.) We’ll remember the books, the wines, and the mushrooms, but most of all we’ll remember the gentle beauty of a region to which we’ll soon find a reason to return.

TN: Arena number two

Muga 2002 Rioja Reserva “Selección Especial” (Center-North) – Coconut-infused wood. There’s very little else. Just the wood, and the coconut. (9/06)

70% tempranillo, 20% garnacha, 10% mazuelo and graciano. Alcohol: 13.5%. Closure: cork. Importer: Jorge Ordoñez. Web: http://www.bodegasmuga.com/.

Domaine de Chevalier 1988 Pessac-Léognan (Bordeaux) – A gorgeous nose of cedar, thyme and graphite with little dustings of black cherry and cassis builds to…absolutely nothing. Other than a tart core of acidity, this wine is virtually void of palate or finish. It’s a perplexing thing, but maybe the best option is to smell and dump, rather than drink. (9/06)

65% cabernet sauvignon, 20% merlot, 5% cabernet franc. Alcohol: 12%. Closure: cork. Importer: Wildman. Web: http://www.domainedechevalier.com/.

Fèlsina “Berardenga” 1997 Chianti Classico “Vin Santo” (Tuscany) – Sweet strawberry, lime, mostarda, cider and pomegranate in a wine that, despite its heady richness, comes across as delightfully light and breezy. Yet there’s plenty of seriousness and complexity underneath. What really makes this work, however, is its exquisitely beautiful balance. (9/06)

80% malvasia & trebbiano, 20% sangiovese. Alcohol: 15%. Closure: cork. Importer: Domaine Select. Web: http://www.felsina.it/.

Roussel & Barrouillet “Clos Roche Blanche” 2005 Touraine Sauvignon “No. 2” (Loire) – As usual, more Touraine than sauvignon blanc, showing chalky, aspirin-like minerality with wet limestone and flecks of the driest citrus wine. However, there’s a slightly oppressive weight, albeit a flavorless one, that renders everything a little sticky and comes to dominate the finish. I’m unsure about this; it may be legendary, or it may be too much for itself. Time will tell, I guess…or not, because the closure won’t allow reliable aging past two or three years. Still, that might be enough time to tell the tale. (9/06)

Alcohol: 13%. Closure: extruded synthetic. Importer: Louis/Dressner/LDM.

Julien “Château Villerambert Julien” 2005 Minervois Rosé (Languedoc) – Slightly muted raspberry and lead, with a gauze-like texture. I think this may be very mildly corked, but in any case it’s not performing as it should. (9/06)

40% syrah, 30% grenache, 20% carignan, 10% mourvèdre. Alcohol: 13.5%. Closure: cork. Importer: Ideal. Web: http://www.villerambert-julien.com/.

Dashe 2002 Zinfandel Big River (Alexander Valley) – Big and slightly fierce, showing thoroughly untamed wild berries – dark and angry – with concentrated blackness somewhere in the realm between grilled meat and tar. There’s spice and structure to spare, and the wine grows more deliciously aromatic with aeration, yet its clenched fists never quite relax. Terrific, balanced, muscular zinfandel still in the hormonal rages of its rebellious youth. (9/06)

Alcohol: 14.9%. Closure: cork. Web: http://www.dashecellars.com/.

Ceuso 2004 “Scurati” (Sicily) – Dusty, fire-blackened blackberries, black pepper and asphalt-like rigidity that takes a jarring turn towards the sour on the palate; the acid and the black tannin then combine to dry out the finish. I want to like this unoaked nero d’avola for it’s relatively unspoofulated nature, but I just can’t. It’s as if these grapes have been pushed far past their endurance, only to collapse in exhaustion in the bottle. Proving, I guess, that over-oaking isn’t the only way to ruin nero d’avola. (9/06)

100% nero d’avola. Alcohol: 13.5%. Closure: cork. Importer: Vias. Web: http://www.ceuso.it/.

Arena 2001 Muscat du Cap Corse (Corsica) – Sap-exuding conifers, crushed pine needles and windswept maquis with gorgeous, crystalline, high-toned minerality in a steady rain of aromatic white flowers. Lovely acidity balances the succulent sweetness here. This is a fantastic, unique vin doux naturel from a grape that all too often renders its vinous products asymptotically indistinguishable. (9/06)

Alcohol: 16%. Closure: cork. Importer: Lynch.

Koehly 2004 Riesling Saint Hippolyte (Alsace) – Freshly-crushed stones, amidst which are sprouting delicate little alpine flowers; the latter eventually grow in proportion to all else. There’s a very slight hint of spicy sweetness, but juicy acidity brings the wine back to something that tastes no more than barely off-dry. Unfortunately, the finish is nonexistent. Koehly usually does better work than this. Perhaps cork failure or taint of some sort? (9/06)

Alcohol: 13%. Closure: cork. Importer: Rosenthal.

TN: Another terrific No. 9 Park tasting menu

A tasting menu at No. 9 Park…28 August 2006.

Roederer Champagne “Brut Premier” (Champagne) – Intellectual, earth-driven but satiny stone fruit (minus most the fruit) with a gentle, yet inexorable persistence. Very thoughtful bubbly. Served with: ultra-thin-sliced smoked lobster sashimi with grapefruit, avocado and cilantro. The wine and the food stand essentially apart here.

Cusamano 2005 Sicilia Rosato (Sicily) – Made from nerello mascalese. Big, broad-shouldered raspberry and maraschino cherry fruit with a keening, fresh flower aroma. It’s simple alone, but with food it almost explodes with additional complexities. This is an inspired match. Served with: seared yellowfin tuna (about as pure and wonderful as this fish could ever be) with a brilliant marmalade of heirloom tomatoes lent smokiness by chorizo, which infuses the marmalade and adds a textural counterpoint in little crisp bits perched atop the cubes of fish.

Schrock 2005 Ried Vogelsang (Neusiedlersee) – A blend that’s a bit at war with itself, showing lots of interesting characteristics that seem to have absolutely nothing to do with each other: crisp acidity, juicy/lemony sprightliness, herbal grassiness, spicy headiness…it’s a bunch of smart people, all talking past each other. Served with: day boat scallops on a purée of curried cauliflower (possibly the single best expression of this vegetable I’ve ever tasted) and crispy little bursts of fried tapioca. This isn’t much of a marriage, though the wine does no actual harm to the food.

Faiveley 2003 Bourgogne Rouge (Burgundy) – Cranky, rough, ungenerous and difficult, with wan suggestions of something that might once have been red fruit buried under clumsy, off-putting tannin. A last-minute replacement due to a chef deglazing with red wine rather than the intended white, and not a very successful one. Served with: handmade orechiette, flawlessly pressed and cooked, with a Burgundian snail ragout that works rich, earthy wonders on the palate. A better red Burgundy would be magical here.

Lustau Almacenista Palo Cortado Sherry “Vides” 1/50 (Jerez) – Dark, fire-roasted nuts that consistently suggest sweetness, but never quite achieve it, settling instead for an intense, warming richness. The alcohol is a little more intrusive than normal, and it negatively affects the food pairing. Served with: seared La Belle Farms foie gras with golden raisins, almond praline and balsamic vinegar. The dish is flawless, but the wine only goes well with the accompaniments; the alcohol buries the delicacy of the foie gras. It’s an adventurous notion, but ultimately an unsuccessful one.

Vajra 2004 Dolcetto d’Alba Coste & Fossati (Piedmont) – Delicious. Sneaks up quietly at first, with light blackberry dust and a slightly exuberant structure, but soon fills out with gorgeous mixed bouquets of freshly-picked wildflowers and an earthy, morel-infused bottom end. Very, very agile with food. Served with: softly-seared Pekin dust breast with “melted” strawberries, honey, and perfectly bitter counterpoints of red shiso. This is an inspired match.

Les Pallières 2003 Gigondas (Rhône) – A heavy, ponderous stew of garrigue, leather and dark, smoky fruit overladen with tannin. The wine is chewy, and that’s not a compliment. It’s one of the better 2003 Rhônes I’ve tasted, though that’s certainly faint praise at best. Still, there are terrific raw materials underneath the sludge, and it’s possible that a few centuries of aging will resolve matters. Or, more likely, not. Served with: roasted lamb loin with a truffle “fondue” and leeks, dusted with thyme. The food actually helps tame some of the glue-like tannin in the wine, but the price paid is a diminution of the elegant earthiness found in the truffles.

A palate-cleansing celery sorbet is audaciously magnificent.

Pieropan 2001 Recioto di Soave Classico Le Colombare (Veneto) – A stunning wine, full of concentrated peach, orange rind and iron shot through with flowers and perfumes from some mythical Orient. Powerfully sweet, but with flawless balancing acidity, and as long as one would ever wish a wine to be. Majestic. Served with: blueberry and crème fraîche soup with a carrot “confit,” white chocolate, and anise hyssop garnish. The dish doesn’t sound like it should work, but in fact it’s some sort of revelatory symphony of summer flavors; and the wine, which also doesn’t seem like it should work with this mélange, soars above the music in perfect harmony. There’s real genius behind this pairing.

Garitina 2005 Brachetto d’Acqui “Niades” (Piedmont) – The usual bright red fruit, frothed (though so lightly as to be almost unnoticeably effervescent) and given just a touch of late-palate bitterness. Simple fun. Served with: a warm chocolate tart with chocolate sorbet and “wilted” grapes. The latter seem superfluous, like a half-hearted nod towards molecular gastronomy, but everything else on the plate is superb and properly undersweetened, which helps the wine dance around the edges. Of all the wines alleged to pair well with chocolate, I think brachetto may be the only one that really does so.

TN: One & two

Sanz “Villa Narcisa” 2004 Rueda Verdejo (Castilla & León) – Grassy, limestone-dusted grapefruit from a quarry-side orchard, with briny acridity and a sharpening finish. Interesting. (9/06)

Alcohol: 13%. Closure: cork. Importer: Tedward. Web: http://www.jsviticultor.com/.

Forsoni “Poderi Sanguineto I e II” 2004 Rosso di Montepulciano (Tuscany) – Strawberries and old roses with a gentle, enticing earthiness and a nice little nip of acidity. This wine is the opposite of explosive or concentrated, and yet in its own soft-spoken way it is very nearly perfect. (9/06)

Prugnolo gentile (a/k/a sangiovese), canaiolo nero & mammolo. Alcohol: 13.5%. Closure: cork. Importer: Adonna. Web: http://www.sanguineto.com/.

TN: An innocent life (Oregon, pt. 10)

(The original version, with bigger photos, is here.)

15 July 2006 – Willamette Valley, Oregon

St. Innocent – It’s a little surprising that one of Oregon’s most acclaimed wineries is hidden in a bleak commercial backlot of Salem, surrounded by chains and warehouses. If you go, bring good directions…and a better map.

The quality and ageability of St. Innocent’s pinots has been an open secret for some time now, but recent critical acclaim has left the winery’s tasting room a little underwined. Well, I’m happy for them, though it makes our visit a short one. Almost everything is vineyard-designated (the sole exception being an unremarkable sparkling wine), which makes any comprehensive tasting an exercise in terroir identification. Other winemakers may have their doubts about the individuality (or, perhaps more accurately, maturity) of the Willamette Valley’s vineyard sites, but there seems to be nothing but enthusiasm for the concept here.

St. Innocent 2004 Chardonnay Freedom Hill (Willamette Valley) – Green apple and celery; crisp and intense, with balanced acidity but a dominant simplicity.

St. Innocent 2004 Chardonnay Anden (Willamette Valley) – Grapefruit and limestone with a drying, structured finish. Very long. This shows more complexity and character than the Freedom Hill, though it’s less pleasurable to drink in its callow youth.

St. Innocent 2004 Pinot Noir Temperance Hill (Willamette Valley) – Dusty strawberry is the only element of interest in an otherwise odd, off-putting nose. The palate shows growth, with dried seeds and leaves both green and dry. Not particularly enticing, and showing rather striking desiccation.

St. Innocent 2004 Pinot Noir White Rose (Willamette Valley) – Red fruit and white flowers on a gravel bed, turning soft on the palate but then finishing crisp and spicy, with lovely balance. It neither strives for nor reaches the summit, but it’s a very good pinot nonetheless.

Bella Vida – Perched atop a beautiful expanse of vineyards, with some of the best views in the entire valley, this is a bit of a “concept” winery. Only pinot noir is produced, via a métayage-like arrangement with a succession of local winemakers. For the consumer, it’s a fascinating study in the ongoing tension between the inevitabilities of terroir and the transforming power of the winemaker. For the winery, I’m less sure of the benefit; surely an inconsistency in winemakers is bound to create an inconsistency in styles. It’s a good one-time gimmick, but eventually the Bella Vida name has to stand for something in the minds of consumers, or they’ll look elsewhere for something upon which they can rely.

Bella Vida 2002 Pinot Noir “Ryan Harms” (Dundee Hills) – Shy on the nose, though the palate is redolent of dark chocolate and black cassis liqueur. It’s heavy and strong, perhaps even a bit hot, though a bit of age might resolve things. Harms is the Rex Hill winemaker.

Bella Vida 2004 Pinot Noir “Jacques Tardy” (Dundee Hills) – Much lighter in color than the Harms bottling, with dust on the nose and a red cherry/licorice palate. As with the previous bottling, there’s noticeable heat on the finish, turning the cherries to kirsch. Tardy is the Torii Mor winemaker.

Bella Vida 2004 Pinot Noir “Brian O’Donnell” (Dundee Hills) – Aromatic, showing strawberry and raspberry plus gentle earth. More agile than either of the two previous bottlings, with the nicest, prettiest fruit and by far the best balance. Brian O’Donnell is the Belle Pente winemaker.

Bella Vida 2004 Pinot Noir “J. Christopher” (Dundee Hills) – Mixed cherries and mint with rosemary. A bit spirituous, with a long, hot finish. The second best of the cuvées. Jay Christopher Somers is the J. Christopher winemaker.

Other than a tendency towards heat, it’s not easy to see a terroir signature in these wines. However, the winemaking style is immediately obvious, and it’s interesting to see how different winemakers treat this fruit. If this experiment is still ongoing when the vines (and the winemakers) are more mature, the results could be exciting. But it must be said that, from a qualitative standpoint, this collection of wines does not make a compelling case for the excellence of the site.

TN: Is it a door, or a port?

Texier 2003 Châteauneuf-du-Pape Blanc “Vieilles Vignes” (Rhône) – Fruity pear, apricot and white peach with a vaguely spicy ginger soda component. It’s not fat, though it is slightly chubby, and there’s a bright and fresh-faced balance that defies the vintage’s reputation. Good, highly drinkable stuff. (9/06)

Clairette, bourboulenc and grenache blanc. Web: http://www.adonkeyandgoat.com/texier/home.htm.

Kanu 2004 Chenin Blanc (Stellenbosch) – Simple, off-dry melon and filtered stone fruit with the faintest suggestion of wax. Quaffing wine. (9/06)

97% chenin blanc, 3% chardonnay, 6.7 g/l residual sugar. Alcohol: 13.5%. Closure: cork. Importer: Cape Classics. Web: http://www.kanu.co.za/.

Pieropan 2004 Soave Classico (Veneto) – Very tight at first opening, and only coming into its fabulously brittle aromatic maturity with an hour of aeration. Mixed rocks and dried white flowers dominate this wine, which straddles some sort of line between Teutonic and Italian with flair and masculine style. (9/06)

90% garganega, 10% trebbiano di Soave. Alcohol: 12%. Closure: cork. Importer: Empson. Web: http://www.pieropan.it/.

Sella & Mosca 2004 Vermentino di Sardegna “La Cala” (Sardinia) – Wet garden vegetables and solid, albeit monolithic, yellow-green citrus. There’s a lot of heft and a not insignificant alcoholic presence here, which is slightly less than ideal for a flavorful but medium-bodied white wine. Still, the flavors are appealing. (9/06)

Alcohol: 11.5%. Importer: Palm Bay. Web: http://www.sellaemosca.com/.

Jadot 2005 Beaujolais-Villages (Beaujolais) – Hard-edged red cherry and raspberry with a dark, sun-burnt gravel base. There’s little complexity or fun, yet the wine is varietally-correct. It’s the overstructuring that kills the sprightly gamay verve, but one could certainly do worse in a pinch. (9/06)

100% gamay. Alcohol: 12.5%. Closure: cork. Importer: Kobrand. Web: http://www.louisjadot.com/.

Sella & Mosca 2002 Cannonau di Sardegna “Riserva” (Sardinia) – Boisterous strawberry bubblegum fruit, with an exploding tapioca texture and lots of obvious but fun spice…some of it wooded. (9/06)

Cannonau is a synonym for grenache. Alcohol: 13.5%. Closure: cork. Importer: Palm Bay. Web: http://www.sellaemosca.com/.

Jean David 2004 Côtes-du-Rhône-Villages Séguret (Rhône) – Thick, dense leather and blueberry compote with a dry, mistral-swept mouthfeel and a surplus of lingering Provençal herbs. Highly structured and ungenerous. This needs time, but I wonder if there’s enough non-structural extract to reward extended aging. (9/06)

62% grenache, 17% carignan, 8% counoise, 6% cinsault, 4% mourvèdre, 3% syrah. Alcohol: 14%. Closure: cork. Importer: Violette. Web: http://www.domaine-jean-david.com/.

TJ Wines “Jonesy” Old Tawny Port (Australia) – Akin to pedro ximénez, though perhaps without quite so much prune. It’s painfully sweet, showing overripe, baked and caramelized blended sugars and a dark raisin concentrate character that speak of long, old-barrel aging. The acidity is a bit volatile and spiky. This is really much more reminiscent of one of the Aussie liqueur muscats or “tokays” than its authentic Portuguese namesake. (9/06)

Alcohol: 18%. Closure: screwcap. Importer: Grateful Palate. Web: http://www.kellermeister.com.au/.

TN: From the farm to the white house

La Vieille Ferme 2005 Côtes du Ventoux Rosé (Rhône) – Slightly candied strawberry juice and canned red cherry, both overwhelmed by sweetening alcohol. (9/06)

50% cinsault, 40% grenache, 10% syrah. Alcohol: 13%. Closure: screwcap. Importer: Vineyard Brands. Web: http://www.lavieilleferme.com/.

Sterling 2002 Chardonnay (71% Napa County / 16% Sonoma County / 13% Mendocino County) – Sweet peach, honeydew melon and orange with a pretty, albeit confected, palate presence and lots of buttery, toasty wood. Paint-by-numbers chardonnay, and tedious before the first sip has left one’s mouth. (9/06)

Alcohol: 13.5%. Web: http://www.sterlingvineyards.com/.

Faiveley 1998 Bourgogne Hautes-Côtes de Nuits “Dames Huguettes” (Burgundy) – Dead. (9/06)

French bottling. 100% pinot noir.Alcohol: 12.5%. Closure: cork. Web: http://www.bourgognes-faiveley.com/.

Faiveley 2002 Mercurey “Domaine de la Croix Jacquelet” (Burgundy) – Corked. (9/06)

100% pinot noir. Alcohol: 13%. Closure: cork. Importer: Wilson Daniels. Web: http://www.bourgognes-faiveley.com/.

Goats Do Roam Wine Company 2003 “Goat-Roti” (Western Cape) – Big, obvious dried blackberry and synthetic leather with tarred wood and rosemary squeezings. It’s exceedingly heavy, but somehow manages to lack structure. There’s nothing overtly wrong with this wine, but it’s not very interesting either. (9/06)

96% shiraz, 4% viognier. Alcohol: 14.5%. Closure: cork. Importer: Vineyard Brands. Web: http://www.fairview.co.za/goats/wines.php.

Trimbach 1996 Riesling “Cuvée Frédéric Émile” (Alsace) – From 375. Very, very tight and sulfurous at first. With a few hours of air and aggressive swirling, the classic CFE profile of liquefied metal appears, in a razor-sharp pillar of crystalline structure. In no conceivable universe is this yet ready to drink. (9/06)

Closure: cork. Importer: Seagram. Web: http://www.maison-trimbach.fr/.

Parcé “Domaine du Mas Blanc” 1998 Collioure Clos du Moulin (Roussillon) – Rough, leathery fruit that’s been involved in some sort of long-lasting street brawl, leaving it bruised and bloodied by somehow matured by the effort. The aromatics are enticing, showing dark wet soil and fall leaves, with brief intrusions of gentler floral notes and the occasional trace of dark soy. Really nice wine, though certainly not polished to a sheen for modern tastes. (9/06)

90% mourvèdre, 10% counoise. Closure: cork. Web: http://www.domaine-du-mas-blanc.com/.