Abbey road

A confusing study in contrasts, this well-known village is as compelling as it is baffling. Descending from the hills towards the blue expanse of the Mediterranean, one winds through pristine suburbs, then surprisingly rough commercial streets, before entering a tangled, touristy epicenter. The first section looks like any moneyed rural French suburb, the second like many a coastal town, but the third is an absolute riot of color and non-perpendicularity that seems like it would be better-placed in the Caribbean. And for such a tourist destination, signage and parking are a disaster.

…continued here.

Dead-blogging: Galhaud “Collection” 2006 Vin de Pays des Côtes Catalanes Viognier-Muscat

Time for an experiment. Also, an effort to get some content up here that doesn’t take three days (punctuated by naps) to read. So: a kinda-sorta live-blogged tasting note. “Kinda-sorta” because I’m not posting the live-blogging until I’m done. Dead-blogging? …and there’s our title!

Galhaud “Collection” 2006 Vin de Pays des Côtes Catalanes Viognier-Muscat (Roussillon) – 12% alcohol, which is probably a vague approximation. It’s in a fat, heavy bottle…which is a little unusual for a relatively inexpensive wine (around $10 or so).

The varietal composition – 70% viognier, 30% muscat – pretty much promises a world of perfumed soap in the glass, the deliverance of which I’m not sure is a promise I want kept. And I admit to some surprise at the blend. I’ve had an occasional viognier of quality from around the world – there was a Passage Rock from Waiheke Island in New Zealand that comes to memory, and a few Californian versions from Edmunds St. John, Alban, and Domaine de la Terre Rouge have been worthy – but it’s a grape that really, really seems to need its famous “home ground” of Condrieu to develop any superlatives. And even there, it mostly underachieves, especially given the usual quite-high tariff. Elsewhere, it seems to provide more of a sticky, soapy texture than much complexity or site-reflection…which, I guess, makes it the cilantro of the wine world. If every viognier in the world not made by Christophe Pichon were to disappear tomorrow, I can’t say I’d be overly sad about it, and I actually claim to like Condrieu. Maybe I should revisit that notion.

Then, add to one perennially-underachieving grape some muscat, planted absolutely everywhere to more or less OK-ness (it’s a hard grape to ruin), and rarely enjoyed other than at some level of residual sugar. Its role in blends…well, it tends to dominate them, which is why it’s rarely a good idea to employ as a partner. It’s just too perfumed.

I know nothing about the producer, and the web is no help. That right there is a little unusual, and often indicates layers of ownership, some sort of shadowy négociant, or a cooperative. The wine’s an Alain Blanchon import. I don’t get the sense from the packaging and presentation that there’s much else to know, but I could be mistaken on that score.

As for the place, it’s hard to say what it brings. The Côtes Catalanes are becoming a fairly reliable source of good value, fruit-forward wines. Perhaps there’s not much complexity in most (though I understand that an occasional old-vine carignan can bring the noise), but there’s a lot of drinkability. However, there’s no uniformity to the terroir – it is a vin de pays, after all – and so who knows where or how this was grown? At $10 in the States, I doubt we’re talking viticultural fanaticism at any stage.

It might be my own failing, but I don’t care much about color unless it’s unusual, and this wine’s light, washed-out sun hue seems completely normal. Aromatically, it’s actually not all that muscat-y. In fact, the dominant aroma is that of a soap. Not soap itself, but the sort of semi-anonymous blend of laundering aromas used to aromatize soap. And maybe some banana? It’s vague, if so. The wine’s still a little cold, so we’ll see what happens later, but I’m surprised at the lack of aromatics. It’s not corked, but it’s awfully shy for the grapes used. They definitely weren’t pushed to the limits of concentration before harvest.

A sip, a swirl. Texturally, it’s viognier – that stickiness again – with a sort of soda-like prickle that I often find in muscats, even those without any pétillance. There’s enough acidity, which can be a problem with both grapes. And there’s some alcoholic burn, too…even in the wine’s well-chilled state. That’s likely to be a problem as it warms.

…OK, it’s later, and the wine’s at temperature now. The aromas are a little more pronounced, but I still think they’re viognier-dominated. Such as they are, and they’re still not much. Now there’s a bit of banana-skin bitterness to the finish. The wine’s very wet, even watery, and that heat hasn’t quite gone away, though it’s no more intrusive than it was at the outset.

There’s just not much to be impressed by here. Neither of the grapes are used to potential (and the general lack of muscat character suggests a sort of shocking indifference; I’m not sure I’ve ever tasted a more wan and insignificant muscat), nor is the wine fun or fruity enough for its lack of character to be ignored. It just sort of sits there, growing increasingly bitter and more watery to little purpose. I’d suggest avoidance.

TN: The Collioure of money

Parcé Frères “Domaine de La Rectorie” 2005 Collioure Rosé “La Goudie” (Roussillon) – This shows the sea-lashed force of the sun-baked hills in a rather incredibly elegant, dancing light…like the sun sparkling off a Mediterranean shore. Intense but flawlessly restrained strawberry, white pepper and crisp leaf notes show up, but this wine is all about its beautiful, seductive bipolarity. One of the best rosés I’ve ever tasted. (6/07)

TN: Puig-headed

Campadieu “Domaine La Tour Vieille” 1999 Collioure Puig Oriol (Roussillon) – Cooked and horridly nasty. A recent purchase, so it shouldn't be considered representative of well-stored bottles. (6/07)

TN: Serral killer

Gaillard/Baills “Domaine Madeloc” 2004 Collioure “Cuvée Serral” (Roussillon) – Oaky and simplistic, with well-buttered black fruit and a general lack of verve, sun-baked intensity, dried earth, or character. Why drink Collioure, if all these things are going to be missing? This tastes exactly like an internationalized syrah from the plateau above the Rhône Valley, except that it’s missing the intense fruit. Dismaying. (5/07)

TN: Tone Madeloc

Gaillard/Baills “Domaine Madeloc” 2004 Banyuls “Cirera” (Roussillon) – Unsurprisingly, this is a fairly fruit-forward Banyuls. It shares a generally absent nose with a lot of its counterparts, but makes up for it with a rich, sticky-sweet cherry and milk chocolate palate. The cocoa turns darker on the finish, along with some espresso bean, and things stick around for a while (emphasis on “stick”). It’s a good enough wine, a pretty fair bargain, and much better than so many of the over-oxidized versions cranked out by the area’s cooperatives and touristy cellars, but other producers (Parcé, Rectorie) prove that more complexity is achievable. (3/07)

TN: Goudie bag

Parcé Frères “Domaine de La Rectorie” 2005 Collioure Rosé “La Goudie” (Roussillon) – Cranky at uncorking, but eventually all the beautiful qualities emerge: very ripe red cherries and strawberry-infused vinegar, tarragon and lavender, a dry, stony foundation with spikes and points, and a balanced, pure finish that imposes upon the palate. This is rosé as ambitious red wine, and it works. It’s not light by any means, but rather a serious, complex transcendence of the form. (2/07)

TN: A little light writing

La Préceptorie “Les Terres Nouvelles” 2005 Côtes du Roussillon Blanc “écrits de lumière” (Roussillon) – Silky, sun-drenched melon with a seductive, almost dancing texture, grey-white earth and a lovely, feminine balance. This wine is content to be a pleasant background, but is fully capable of being the center of attention as well. Really, really good. (2/07)

TN: Take two Piques

Piquemal 2004 Vin de Pays des Côtes Catalanes “Pierre Cuvée Audonnet” (Roussillon) – Concentrated blueberry and blackberry with dark, smoky leather and good, sun-baked weight. Nothing is out of balance, though it’s certainly a big wine…simple and unpretentious, but successful in its aims. And for well under $10, this is an excellent value. (1/07)

Piquemal 2004 Côtes du Roussillon (Roussillon) – A bit on the sour/soupy side, with vegetal, slightly charred red fruit and an unpleasant midpalate. Things improve on the finish, with good balance to the fore, but by then it’s just too late. (1/07)

TN: Still more old notes

Bantlin “Domaine Les Portes” 2004 Vin de Pays des Côtes Catalanes Muscat Sec “fin de la nuit” (Roussillon) – Faded flowers and dried fruit fading into an oxidative summer sunset. Yet there’s something intriguing about this wine, which keeps enticing me back for sip after sip, until the liquid’s gone. How’d that happen? (9/06)

Sauzet 1998 Saint-Romain (Burgundy) – Sweet-sour grapefruit with a bit of sweaty acridity, good but slightly disjointed crispness, and a light sheen of mature butter. It gains some crisp, citrusy spice with extended aeration. A pretty good, light, lower-tier white Burgundy at full maturity. (9/06)

d’Angerville 1994 Volnay (Burgundy) – Harshly tannic at first, but this slowly fades, giving way to a nice mélange of well-aged red fruit and crumbled autumn leaves fallen on a mossy ground, with the morning’s frost rising as steam from wet, aromatic earth. This is a really lovely wine, but it requires time to present itself. (9/06)

Trimbach 1989 Gewurztraminer “Sélection des Grains Nobles” (Alsace) – From 375 ml. Not even close to ready, with lychee and peach fruit only mildly spiced (though heavily sweetened), and showing almost none of the expected meat-like characteristics that come with aged versions of this grape. A dining companion notes an emergent bitterness, which is typical for late-harvested gewurztraminer; he dislikes it, while I find it a necessary balancing element in the wine’s sugar-dominated structure. Way, way too young, but potentially very nice. However, if you’re insistent on opening something, the ’89 VT is drinking much better right now. (9/06)

TN: From the farm to the white house

La Vieille Ferme 2005 Côtes du Ventoux Rosé (Rhône) – Slightly candied strawberry juice and canned red cherry, both overwhelmed by sweetening alcohol. (9/06)

50% cinsault, 40% grenache, 10% syrah. Alcohol: 13%. Closure: screwcap. Importer: Vineyard Brands. Web: http://www.lavieilleferme.com/.

Sterling 2002 Chardonnay (71% Napa County / 16% Sonoma County / 13% Mendocino County) – Sweet peach, honeydew melon and orange with a pretty, albeit confected, palate presence and lots of buttery, toasty wood. Paint-by-numbers chardonnay, and tedious before the first sip has left one’s mouth. (9/06)

Alcohol: 13.5%. Web: http://www.sterlingvineyards.com/.

Faiveley 1998 Bourgogne Hautes-Côtes de Nuits “Dames Huguettes” (Burgundy) – Dead. (9/06)

French bottling. 100% pinot noir.Alcohol: 12.5%. Closure: cork. Web: http://www.bourgognes-faiveley.com/.

Faiveley 2002 Mercurey “Domaine de la Croix Jacquelet” (Burgundy) – Corked. (9/06)

100% pinot noir. Alcohol: 13%. Closure: cork. Importer: Wilson Daniels. Web: http://www.bourgognes-faiveley.com/.

Goats Do Roam Wine Company 2003 “Goat-Roti” (Western Cape) – Big, obvious dried blackberry and synthetic leather with tarred wood and rosemary squeezings. It’s exceedingly heavy, but somehow manages to lack structure. There’s nothing overtly wrong with this wine, but it’s not very interesting either. (9/06)

96% shiraz, 4% viognier. Alcohol: 14.5%. Closure: cork. Importer: Vineyard Brands. Web: http://www.fairview.co.za/goats/wines.php.

Trimbach 1996 Riesling “Cuvée Frédéric Émile” (Alsace) – From 375. Very, very tight and sulfurous at first. With a few hours of air and aggressive swirling, the classic CFE profile of liquefied metal appears, in a razor-sharp pillar of crystalline structure. In no conceivable universe is this yet ready to drink. (9/06)

Closure: cork. Importer: Seagram. Web: http://www.maison-trimbach.fr/.

Parcé “Domaine du Mas Blanc” 1998 Collioure Clos du Moulin (Roussillon) – Rough, leathery fruit that’s been involved in some sort of long-lasting street brawl, leaving it bruised and bloodied by somehow matured by the effort. The aromatics are enticing, showing dark wet soil and fall leaves, with brief intrusions of gentler floral notes and the occasional trace of dark soy. Really nice wine, though certainly not polished to a sheen for modern tastes. (9/06)

90% mourvèdre, 10% counoise. Closure: cork. Web: http://www.domaine-du-mas-blanc.com/.

TN: Royal and green mountains

Notes from a few days in Montréal and Vermont:

Dard & Ribo 2004 St-Joseph (Rhône) – Exciting and complex, if fairly primary, showing grilled blackberry residue, pure essence of nighttime blueberry, and the essential Northern Rhône “meat liqueur” character, all layered over rich, dark black earth dusted with urfa pepper. The acidity is shockingly vivid. Outstanding. (8/06)

St-Joseph is becoming like Cornas: a appellation almost forgotten outside of the work of a very few committed producers. These 100% syrahs lack the masculinity of Hermitage and the Burgundian elegance of Côte-Rôtie, but replace them with more upfront fruit and a generous texture. Plus, they’re cheaper than both. This should be a recipe for export success, shouldn’t it? Closure: cork.

Foillard 2004 Morgon Côte du Py (Beaujolais) – Perfectly ripe berries bursting from their skins, showering fresh tarragon and light grey graphite with beautifully enticing juice. It’s light and flirty as an apéritif, more serious and substantial with food, and effortlessly moves between the two states. This is the kind of wine that makes you want to roll around in the grass and giggle. (8/06)

Gamay is not often an ageable grape, except over the very short term, but from a few select terroirs the story changes. Morgon Côte du Py is one such terroir. But unlike some other ageable Beaujolais terroirs, like Moulin-à-Vent, the solidity and structure is not immediately evident. Morgon Côte du Py bridges the gap between the pure aromatic delight of other Beaujolais and the deceptively firm construction necessary to support the wine’s future development. Closure: cork.

Cazes 1991 Rivesaltes “Ambré” (Roussillon) – Old sugar, caramelized and spicy with moderate oxidative notes and a crisp, apple-skin bite sharpened by walnut oil. It’s not particularly complex, but it’s quite delicious. (8/06)

Rivesaltes of this form is a vin doux naturel, which means high-sugar grapes have their fermentation blocked by the addition of alcohol, thus fortifying the wine and leaving it with a good deal of residual sugar. This method is more familiar when used to make Port, but it’s done all over the winemaking world, and is very common around the Mediterranean. Fortified muscat is the best known form of this wine, but this particular bottling happens to be made from grenache blanc. And finally, these wines are typically consumed young…but as this wine shows, given the right conditions they can age quite well. Closure: cork. Web: http://www.cazes-rivesaltes.com/.

Serge Dagueneau 2004 Pouilly-Fumé “Les Pentes” (Loire) – Light, pale schist and dust through a gauzy filter, with faint grass and green apple notes. A very indistinct wine that tastes completely stripped. (8/06)

100% sauvignon blanc, with none of the allegedly-signature “gunflint” promised by the appellation, and every evidence that the wine has been excessively filtered. Pouilly-Fumé doesn’t have an excessive number of high-quality proponents, but I’ve had much better from this domaine in the past. Web: http://www.s-dagueneau-filles.fr/.

Cazes “Chateau Les Ormes de Pez” 1996 Saint-Estéphe (Bordeaux) – Almost as pure an expression of the classic Bordeaux descriptor “cigar box” as one will ever experience. And “almost” because the other major aromatic impression is of sticky waves of butterscotch-tinged oak. There’s a really beautiful wine lurking in here, but the wood – at least at this stage – is doing its best to bury it. A shame, really, but maybe time will heal this wound. (8/06)

A cabernet sauvignon-dominated blend (with merlot and cabernet franc playing supporting roles). As for the oak…unfortunately, that horse left the barn a long time ago, and it’s probably too late to coax it back in. How Bordeaux is improved by being made to taste more like anonymous New World cabernet I can’t imagine. Closure: cork. Web: http://www.ormesdepez.com/.

Everett Ridge 1999 Zinfandel (Dry Creek Valley) – Massive blackberry and boysenberry fruit bordering on concentrate, with jammy inclinations only slightly mitigated by a nice dose of ground black pepper. A one-note wine…though it’s a tasty note. (8/06)

Zinfandel is capable of aging, certainly (though a significant number of the most ageable are not 100% zinfandel at all), but – especially these days – two destines are more likely. The first is excessive alcohol dominating all else, which is the fate of some of the more overdriven and overripe versions (though high alcohol at bottling is not a 100% reliable indicator). The second is where we find this wine: ever-more concentrated fruit, moving from on-the-vine, to jam, to syrup. (More coverage of Everett Ridge can be found here.) Closure: cork. Web: http://www.everettridge.com/.

Isabel 2004 Sauvignon Blanc (Marlborough) – Slightly heat-damaged by the external evidence, and the wine bears this out: the intense aromatics and green-tinged edges are gone, replaced by a creamy, pear-dominated wine that’s primarily about its texture. Sourced from the New Hampshire state liquor system, which has a long and dedicated history of baking their product. (8/06)

The state of this wine is a shame, because Isabel – while it has gone through peaks and valleys – makes a sauvignon blanc that does not ape the popular tropical fruit salsa (complete with hot pepper) style, but rather exercises restraint in the pursuit of structure. Also, their sauvignon blancs are much drier than most of what’s commercially available these days. Alcohol: 12.5%. Closure: cork. Web: http://www.isabelestate.com/.